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-Over a hundred protestors marched east on 135th St in North Miami to demand that FIU not build a road through the Arch Creek East Environment Preserve.
-The city has opposed the plan to connect 135th St to the backside of the FIU North Campus for years because they say it would damage the preserve.
-North Miami Councilman Scott Galvin said that the city is preparing to sue in order to stop the project from going through.
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About the AuthorRich Robinson is the CEO and publisher of Rise News. He is also a journalist and a native of Miami. Robinson graduated from the University of Alabama and can be followed on Twitter @RichRobMiami.
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Jonathan Aledda, the on duty North Miami police officer who shot an African-American behavioral therapist, who was tending to his autistic patient, has been arrested and charged with a felony count of attempted manslaughter and a misdemeanor charge.
Aledda is the first ever on duty cop that State Attorney Katherine Fernandez Rundle has charged for shooting someone according to The Miami Herald.
The Miami-Dade police union came out strongly against the decision to charge Aledda.
“In this case, we’re going to be able to show how politically motivated, vindictive and incompetent that the state attorney is” Miami-Dade Police Benevolent Association President John Rivera told the Herald. “The law is a very simple thing – intent. They’re never going to be able to prove that this guy acted maliciously or recklessly in any way.”Aledda was over 150 feet away from where Charles Kinsey and his autistic patient were during the incident, which became a national story, when he decided to shoot.At the time, the Miami-Dade police union said that Aledda had not tried to shot Kinsey, but rather his autistic patient.The State Attorney’s office said that there were officers only 20 feet away from the scene who did not feel threatened and that Aledda “was not in a position to correctly assess the situation or in a position to accurately fire.”This is a developing story.Post Views: 57
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By Allyn Farach
Your quest for an Egg McMuffin just got a lot easier. McDonald’s announced that it would start serving breakfast all day throughout the United States.
“All Day Breakfast is the number one request we hear from customers,” McDonald’s spokeswoman Lisa McComb said in a press statement. “In fact, More than 120,000 people tweeted McDonald’s asking for breakfast throughout the day in the past year alone. We’re excited to make this dream a reality this year.”
The program went into effect last year at select chains to test how well all day breakfast would sell. Safety issues were also considered, as issues of grill space for both breakfast and lunch menu options were tested. McDonald’s added a rolling cart for eggs to ease workers with the transition.
Some menu options were also removed from the original breakfast menu to make room for lunch options as well. The announcement comes after news that McDonald’s has been doing badly in previous quarters, which led to the closing of several McDonald’s chains across the United States.
In response to such, McDonald’s President Mike Andres told USA Today that “The turnarounds we have seen in the past, both in the U.S. and around the world, there always is a catalyst that starts the turnaround…We believe that all-day breakfast could be the next big thing.”
Cover Photo Credit: Mike Mozart/Flickr (CC by 2.0)Post Views: 50
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By Mariam Ansar
Feminism is both simplistic and complex, which lends itself as a concept to be inaccurately conveyed or misunderstood. In truth, ‘the advocacy of women’s rights on the grounds of the equality of the sexes,” as defined by Oxford Dictionaries, is an advocacy which takes into account the contexts of the time.
In this sense, the evolution of the theory of feminism, from the 19th century to Third-Wave and beyond, is seen as natural progression. In focusing on women’s suffrage, gender neutrality, reproductive rights, sexual harassment, autonomy, and equal pay, it aims to address every facet of the female struggle.
Yet modern feminism lacks awareness about race issues and the nuances of the gender spectrum. These are important issues within our society, seen as part of feminist theory due to their influence. Modern feminism treads a difficult line, one which desperately needs to consider the concept of intersectionality – the inclusion of race, gender and class in feminism discourse – when following the example of prominent feminist celebrity figures.
For Lena Dunham, Taylor Swift, Miley Cyrus and Emma Watson, the label given to the feminism they practice is a reflection of their privileged positions: White Feminism.
White Feminism addresses the issues of only those who are straight, cis-sexual, white and middle-to-upper-class. Though not all white feminists practice White Feminism, it refuses to place emphasis on anything but issues which are reserved for those who fit this standard. It is a sheltered, inaccurate movement which has not only bred a dissatisfaction with this definition of feminism, but which has emphasized inequality between lives of women.
One example of the struggle of feminists of color can be found in the words of Sandra Cisneros in her book Chicana Feminist Thought:
“I guess my feminism and my race are the same thing to me. They’re tied in one to another, and I don’t feel an alliance or an allegiance with upper-class white women. I don’t. I can listen to them and on some level as a human being I can feel great compassion and friendships; but they have to move from their territory to mine, because I know their world. But they don’t know mine.”
From the fact that white women make more money than women of color, to the appropriation of different cultures and the objectification of the black body and black culture, our society is one which features a multitude of oppressions. The feminism of these privileged white women, then, is not cutting it.
But what is surprising is just who is now championing the need for a feminist discourse which does not casually discriminate, which calls to attention the flaws of White Feminism, which attempts to fill in the gaps of all the disparities. 16-year-old Amandla Stenberg, actress and activist mostly known for her role as Rue in The Hunger Games, and 13-year-old Rowan Blanchard, star of Disney’s Girl Meets World, can both be recognized as trailblazers in noting that there is more to feminism than blanket statements about equality and the lives of the privileged middle-classes.
Two brilliant young actresses, Amandla Stenberg and Rowan Blanchard, dispel the myth of the apathetic teenage voice, as they champion the need for intersectionality and articulate oppressions faced by women of color.
From Stenberg’s school-project video on cultural appropriation ‘Don’t Cash Crop My Cornrows,’ to her using social platforms like Twitter and Tumblr to offer insights on police brutality, America’s relationship with the black community, essays on representation and more, comes a keen awareness in youth feminism which has a pulse on social justice. To scroll through her Instagram is to come face to face with the thoughts of someone who refuses to let her age hold her back from being vocal. An example of one of her posts:
For this 16-year-old, race issues and being aware of the nuances of social oppressions are not only a valid component of feminism, but should be integral to one’s practices.
Similarly, when 13-year-old Blanchard answered a question by a fan on intersectional feminism, posting it on her Instagram later, she joined Stenberg’s crew of progressive, young, clued-up female voices:
So what does it mean when teenagers are showing up their adult contemporaries in recognizing the facets of social justice and the depth of intersectionality paired with the practice of feminism? It reveals a shifting of tides and the acceleration of social justice in our modern world. As Stenberg noted for Dazed:
“I think people discredit teenagers and how wise they can be. Sometimes I meet teenagers who are much wiser than many adults I’ve met, because they haven’t let any insecurities or doubts about themselves get in the way of their thoughts.”
Blanchard and Stenberg seem to understand the need to open up dialogues through the social medias which are open to them, utilizing their fame to further causes. This also suggests that within the fractured nature of our society, of race issues and power structures which have manifested themselves in shows of police brutality, appropriation of cultures in the music industry, one does well to learn about these things and speak up on them than to stay enclosed in the protective bubble fame could trap.
Stenberg and Blanchard have shown this to be true. The pair sit comfortably along the likes of 19-year-old Rookie Mag creator Tavi Gevinson, Willow Smith and Kiernan Shipka under the label ‘youth feminism,’ using the influential nature of their age to their advantage by refusing to stay silent about issues close to them and choosing to remain open to that which they can educate themselves on.
The fact is, their feminism is intersectional and so the truths they dish out are aligned to not only their age, but their intelligence. The face of feminism they portray is inspiring because it exists with little ego, and perhaps this is a trademark of youth: it posits the desire to continue to learn, to listen, and to grow. It is refreshing in its honesty, compassion, accepts the existence of flawed feminist theory, but aims to change it. It’s something many would do well to learn from.Post Views: 106
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